Let me just say right off the bat that it takes guts to take a sacrosanct American novel, let’s say, F. Scott Fitzgerald’s The Great Gatsby, and turn it into a film. And that is exactly what Baz Lurhmann has done. Art begets art, and so I would never be the kind of person who would refuse to see this film because “the movie is never better than the book,” or “I can’t stand Tobey Maguire,” or, “Jay-Z is not the Jazz Age,” although I know people that I profoundly respect who do not wish to sully the novel that is in their heads with Baz Lurhmann’s outsized pop-opera cinematic style.
Fair enough.
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