Politics and Religion in Ridley Scott’s The Martian

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The Martian is good science fiction. It has a hard-edged realism combined with a compelling plot. In the near future, NASA is sending manned missions to Mars, but the Ares III mission runs into trouble. The crew leaves behind astronaut Mark Watney, played by Matt Damon, because they think he’s dead, but Mark, who isn’t dead, decides that he doesn’t want to die on Mars. He begins working on a plan to get off the planet.

Director Ridley Scott manages to strike just the right balance of humor and tension, and Matt Damon does an excellent job giving us a hero we can root for. Damon’s got most of the screen time, and for most of his scenes he’s acting alone. Pulling off solo scenes successfully proves one’s acting mettle. The rest of the cast does a great job too (though I think an Oscar nod should go to Mackenzie Davis for imbuing a minor role with awesomeness). And let’s not forget to mention the topnotch special effects that are so good that you almost don’t notice they’re there. What a novel concept—effects that serve the story.

And it really is a good story.

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